Curriculum Allocation
Art is taught for one 100 minute lesson per fortnight.
All students will record their observations and experiment with media in their own sketchbook, work will also be recorded on their iPads using showbie.
Curriculum Period 1
Lesson 1 |
Title Page – composition, text, simple line drawing. |
Lesson 2 |
Grid Method – creating an accurate outline and detail. |
Lesson 3 |
Shading and Tone – using pencil to create tone in a drawing. |
Lesson 4 |
Sugar Skull design – creating work inspired by Day of the dead. |
Lesson 5 |
Sugar Skull colour – colour theory and application of colour. |
Lesson 6 |
Printmaking – intro to relief print making. |
Lesson 7 |
Printmaking – layering colours and developing a design. |
Lesson 8 |
Printmaking – adding detail to a print. |
Art History/Context – Students will engage in work inspired by Mexican Day of the dead.
Assessment
Students will complete a 100 minute practical assessment where they will be required to use the grid method to produce an accurate observational drawing of an image, this will require them to evidence their understanding of proportions, accuracy and measuring alongside the use of tone and shade to create 3d form
Curriculum Period 2
Lesson 1 |
Title Page – composition and colour. |
Lesson 2 |
Observational drawing – sweets and chocolate wrappers. |
Lesson 3 |
Observational drawing – sweets and chocolate wrappers. |
Lesson 4 |
Artist Research – Pop Art |
Lesson 5 |
Composition planning – preparing an accurate composition. |
Lesson 6 |
Painting – Using water colours to apply colour. |
Lesson 7 |
Painting – Using water colours to apply colour. |
Art History/Context – Students will engage in work focused around Pop Art.
Assessment
Students will compete a 100 minute practical assessment where they will apply their knowledge of observational drawing and colour alongside pop art, they will produce a drawing of their name using well known typefaces from sweets and chocolate which they will then add tone to using colour.
Curriculum Period 3
Lesson 1 |
African Masks – explore ideas and research |
Lesson 2 |
Low relief African Masks |
Lesson 3 |
Low relief African Masks |
Art History/Context – African Masks
Not Assessed
Subject advice and guidance
If you need any further guidance then please contact your child’s teacher via email:
Curriculum Allocation
Art is taught for one 100 minute lesson per fortnight.
All students will record their observations and experiment with media in their own sketchbook, work will also be recorded on their iPads using showbie.
Curriculum Period 1
Lesson 1 |
Title page – composition, angles, scale, text and layout. |
Lesson 2 |
Title page – tone and shading. |
Lesson 3 |
Fine liner compositions – accuracy, proportion, line and accuracy. |
Lesson 4 |
Fine liner compositions – mark making, texture and tone. |
Lesson 5 |
Artist research Ian Murphy – layout, presentation, artist copy using techniques. |
Lesson 6 |
Analysing the work of an artist – written response and developing a sketchbook page. |
Lesson 7 |
Composition planning and layering materials – drawing, water colours, inks. |
Lesson 8 |
Developing a final piece – acrylics, rollers, sponging. |
Art History/Context – Students will engage in work inspired by Ian Murphy.
Assessment
Students will complete a 100 minute practical assessment where they will apply their knowledge of drawing with pen and using mark making in the style of Ian Murphy. They will produce a drawing of a building using mark making techniques to create depth, detail, texture and tone.
Curriculum Period 2
Lesson 1 |
Developing a final piece – acrylics, rollers, sponging. |
Lesson 2 |
Completing final piece – biro drawing into mixed media piece. |
Lesson 3 |
Photo editing – collaging photos together. |
Lesson 4 |
Printmaking – mono printing from local architecture. |
Lesson 5 |
Printmaking – press printing into mono prints. |
Lesson 6 |
Developing mixed media work – working into prints using water colour and collage. |
Lesson 7 |
Digital manipulation – developing a digital piece of work. |
Art History/Context – Students will reference Giacomo Costa and Michael Pritchard.
Assessment
Students will complete a 100 minute practical assessment where they will apply their knowledge of an artist to a practical task. They will create a mixed media drawing including a mono print, paint application and collage.
Curriculum Period 3
Lesson 1 |
Painting skills – colour mixing and matching |
Lesson 2 |
Painting – overlapping letters– abstract painting |
Lesson 3 |
Painting – abstract painting |
Art History/Context – Students will engage in lots of art work including Mark Rothko, Howard Hodgkin, Jasper Johns.
No assessment
Subject advice and guidance
If you need any further guidance then please contact your child’s teacher via email:
Curriculum Allocation
Art is taught for one 100 minute lesson per fortnight.
All students will record their observations and experiment with media in their own sketchbook, work will also be recorded on their iPads using showbie.
Curriculum Period 1
Lesson 1 |
Title page – typography and observation drawing in many styles. |
Lesson 2 |
Media trials – experimenting with water colour, fine liner, pencil and coloured pencils. |
Lesson 3 |
Ink drawing – outlines and detail. |
Lesson 4 |
Ink drawing – mark making and tone/shade. |
Lesson 5 |
Collage illustration – using various materials to create an image. |
Lesson 6 |
Artist research Kiel Johnson – facts and presentation using a wide range of media. |
Lesson 7 |
Artist research Kiel Johnson – analysis of an artist’s work. |
Lesson 8 |
Sculpture – creating a basic 3d form. |
Art History/Context – Students will engage in the work of Kiel Johnson and various sculptors, they will also be introduced to the Kurt Schwitters and Hannah Hoch.
Assessment
Students will complete a 100 minute practical assessment where they will apply their drawing skills. They will create an observational drawing of an image using pencil.
Curriculum Period 2
Lesson 1 |
Sculpture – developing shapes. |
Lesson 2 |
Sculpture – developing work by adding details. |
Lesson 3 |
Sculpture – completion of work by embellishing with fine detail. |
Lesson 4 |
Photography – Line, texture, viewpoint. |
Lesson 5 |
Photography – analysing photographs and basic edits. |
Lesson 6 |
Digital drawing |
Lesson 7 |
Mixed media drawing – collage and outline. |
Art History/Context – Students will be introduced to the work of Edward Weston and will create photographs in his style. They will also encounter digital artists.
Assessment
Students will complete a 100 minute practical assessment where they will create a digital drawing using observational drawing skills, knowledge of tone and shade, use of line and composition.
Curriculum Period 3
Lesson 1 |
Mixed media drawing – painting |
Lesson 2 |
Mixed media drawing – coffee, inks and pens. |
Lesson 3 |
Mixed media drawing – drawing details/independent experiments. |
Art History/Context – Students will engage with the work of mixed media artists.
No Assessment
Subject advice and guidance
If you need any further guidance then please contact your child’s teacher via email:
Curriculum Allocation
Art is taught over three 100 minute lesson per fortnight.
Specification/Exam board – OCR
Course title - Fine Art
Course code – J171
Fine Art - Overview
Fine Art is defined here as the practice of creating work that is primarily for aesthetic, intellectual or purely conceptual purposes, rather than purposes that have a necessarily practical function.
- Learners must explore, acquire and develop skills, knowledge and understanding through the application of techniques and processes specific to their chosen area(s) of study of Fine Art.
- Learners must explore practical and relevant critical and contextual sources such as the work of historical and contemporary fine artists and the different purposes, intentions and functions of fine art as appropriate to their own work.
- Learners must demonstrate the knowledge, skills and understanding through area(s) of study relevant to Fine Art
Areas of Study
Learners are required to work in one or more area(s) of Fine Art, such as those listed below. Combinations of these areas are also possible:
- Drawing
- Installation
- Lens-/Light-based Media
- Mixed-media
- Land art
- Printing
- Painting
- Sculpture
Component 1 – Portfolio - (60%)
This is completed from September in year 10 until January in year 11.
Students produce a portfolio of practical work showing their personal response to a set starting point, brief, scenario or stimulus. The portfolio may be presented in appropriate formats for the specification title they are following and chosen area of study, including sketchbooks, digital presentations, mounted sheets, maquettes, prototypes, animated work, scale models or illustrated written work.
The portfolio must provide evidence that the student has met all four assessment objectives.
Component 2 – Externally Set Task (EST) – (40%)
This is from January in year 11 until the 10 hour exam.
Students respond to one of five themes, each with a range of written and visual starting points and stimuli. Students research, plan and develop ideas for their response to the option they have chosen, which they must then realise within the ten-hour supervised time period.
Assessment Objectives
There are four Assessment Objectives in OCR GCSE (9–1) in Art and Design. These are detailed in the table below.
All are equally weighted at 25% each.
AO1 |
Develop ideas through investigations, demonstrating critical understanding of sources. |
AO2 |
Refine work by exploring ideas, selecting and experimenting with appropriate media, materials, techniques and processes. |
AO3 |
Record ideas, observations and insights relevant to intentions as work progresses. |
AO4 |
Present a personal and meaningful response that realises intentions and demonstrates understanding of visual language. |
Course content
Curriculum Period 1 - Fragments
Lesson 1 |
Introduction to GCSE Art – collages and drawing. |
Lesson 2 |
Observational drawing using pencil/graphite. |
Lesson 3 |
Developing pencil drawing using texture and mark making. |
Lesson 4 |
Completing observational drawing. |
Lesson 5 |
Observational drawing using fine liner. |
Lesson 6 |
Developing observational drawing using mark making and texture. |
Lesson 7 |
Completing observational drawing using water. |
Lesson 8 |
Observational drawing using biro pen. |
Lesson 9 |
Developing observational drawing using mark making and texture. |
Lesson 10 |
Completing observational drawing. |
Lesson 11 |
Artist research Reynald Drouhin- creating artist copies. |
Lesson 12 |
Artist research Reynald Drouhin - written response. |
Lesson 13 |
Artist research Reynald Drouhin - presentation. |
Lesson 14 |
Artist Links – Cubism – collage and presentation. |
Lesson 15 |
Introduction to painting using acrylics – colour mixing and matching |
Lesson 16 |
Developing an acrylic painting. |
Lesson 17 |
Developing an acrylic painting. |
Lesson 18 |
Developing an acrylic painting. |
Lesson 19 |
Photography and developing ideas using collage. |
Lesson 20 |
Media Trials and experiments. |
Lesson 21 |
Media Trials and experiments. |
Lesson 22 |
Final Piece in chosen media. |
Lesson 23 |
Final Piece in chosen media. |
Lesson 24 |
Final Piece in chosen media. |
Art History/Context – Students will be introduced to Cubism, Reynald Drouhin and other artists of their choice.
Assessment
Students will complete a 300 minute practical assessment where they will be required to develop their final outcome (AO4) which will evidence their knowledge of observational drawing (AO3), use of media (AO2) and artist links (AO1).
Curriculum Period 2 - Architecture
Lesson 1 |
Title page in sketchbook – Architecture. |
Lesson 2 |
Ian Murphy research page - background, title, images. |
Lesson 3 |
Ian Murphy research page – drawing. |
Lesson 4 |
Ian Murphy research page - written response, own photos. |
Lesson 5 |
Ruth Allen research page - continuous line drawing and mono printing. |
Lesson 6 |
Ruth Allen research pages – printing using graphite paper, collages and pen. |
Lesson 7 |
Ruth Allen research page - presenting own work and artist images, face file. |
Lesson 8 |
Dalius Regelskis research page - water colour artist studies. |
Lesson 9 |
Dalius Regelskis research page - presenting own work and artist images, title and key words. |
Lesson 10 |
Alex Zeng research page - collage buildings from own/found images. |
Lesson 11 |
Alex Zeng research page - collage buildings from own/found images. |
Lesson 12 |
Seth Clarke research page - drawing over collage in pen. |
Lesson 13 |
Seth Clarke research page - presenting work, written response. |
Lesson 14 |
Laura Oldfield-Ford - black biro and highlighter drawing. |
Lesson 15 |
Laura Oldfield-Ford research page including titles, images, photos and study. |
Lesson 16 |
Creating a composition for a final piece. |
Lesson 17 |
Final piece planning. |
Lesson 18 |
Final piece planning and drawing out |
Lesson 19 |
Final piece |
Lesson 20 |
Final piece |
Lesson 21 |
Final piece |
Art History/Context – Students will be introduced to the work of Ian Murphy, Delius Regelskis, Ruth Allen, Alex Zeng, Seth Clark and Laura Oldfield Ford.
Assessment
Students will complete a 300 minute practical assessment where they will be required to develop their final outcome (AO4) which will evidence their knowledge of observational drawing (AO3), use of media (AO2) and artist links (AO1).
Curriculum Period 3 - Personal Project
Lesson 1 |
Project delivery and mind map ideas |
Lesson 2 |
Initial Ideas annotation |
Lesson 3 |
Initial Ideas presentation |
Lesson 4 |
Initial Ideas completion |
Lesson 5 |
Artist Research |
Lesson 6 |
Artist Research |
Art History/Context – students will be introduced to a wide range of artists relevant to their chosen theme/subject matter.
Subject advice and guidance
If you need any further guidance then please contact your child’s teacher via email:
Curriculum Allocation
Art is taught over three 100 minute lesson per fortnight.
Specification/Exam board – OCR
Course title - Fine Art
Course code – J171
Fine Art - Overview
Fine Art is defined here as the practice of creating work that is primarily for aesthetic, intellectual or purely conceptual purposes, rather than purposes that have a necessarily practical function.
- Learners must explore, acquire and develop skills, knowledge and understanding through the application of techniques and processes specific to their chosen area(s) of study of Fine Art.
- Learners must explore practical and relevant critical and contextual sources such as the work of historical and contemporary fine artists and the different purposes, intentions and functions of fine art as appropriate to their own work.
- Learners must demonstrate the knowledge, skills and understanding through area(s) of study relevant to Fine Art
Areas of Study
Learners are required to work in one or more area(s) of Fine Art, such as those listed below. Combinations of these areas are also possible:
- Drawing
- Installation
- Lens-/Light-based Media
- Mixed-media
- Land art
- Printing
- Painting
- Sculpture
Component 1 – Portfolio - (60%)
This is completed from September in year 10 until January in year 11.
This includes the mock exam project.
Students produce a portfolio of practical work showing their personal response to a set starting point, brief, scenario or stimulus. The portfolio may be presented in appropriate formats for the specification title they are following and chosen area of study, including sketchbooks, digital presentations, mounted sheets, maquettes, prototypes, animated work, scale models or illustrated written work.
The portfolio must provide evidence that the student has met all four assessment objectives.
Component 2 – Externally Set Task (EST) – (40%)
This is from January in year 11 until the 10 hour exam.
Students respond to one of five themes, each with a range of written and visual starting points and stimuli. Students research, plan and develop ideas for their response to the option they have chosen, which they must then realise within the ten-hour supervised time period.
Assessment Objectives
There are four Assessment Objectives in OCR GCSE (9–1) in Art and Design. These are detailed in the table below.
All are equally weighted at 25% each.
AO1 |
Develop ideas through investigations, demonstrating critical understanding of sources. |
AO2 |
Refine work by exploring ideas, selecting and experimenting with appropriate media, materials, techniques and processes. |
AO3 |
Record ideas, observations and insights relevant to intentions as work progresses. |
AO4 |
Present a personal and meaningful response that realises intentions and demonstrates understanding of visual language. |
Course content
Curriculum Period 1
Mock exam/final coursework project
Lesson Order
Lessons follow a logical order in which work is developed based upon a theme. Each student will be working on personal projects and will be working on different pieces of work based on their own ideas.
Artist Research - Selecting an artist and creating work in response to their work, this includes a background, images, titles, written evaluations and a copy/study of the work of the chosen artist.
Observations - Work created based on the chosen theme, inspired by the artist. This could include a range of techniques but must include drawing and photography. Drawing could be done in any media and must be appropriate to the chosen idea.
Development of Ideas - combining artist influence and observations, considering media experiments and exploration. Considering composition ideas.
Final Piece Planning - planning the final piece including scale and media, work must link to artist research and be a direct result of the development of ideas.
Assessment
Students will complete a 300 minute practical assessment in which they will create a final outcome for the project using their own images and their own choice of media.
Curriculum Period 2 Externally Set Task
Assessment
Students will complete a 10 hour controlled test which adheres to JCQ guidelines. Students work independently on a piece of work which they have planned and prepared for over the Externally Set Task period, this follows the process as outlined above with the addition of initial ideas to start the project
Subject advice and guidance
If you need any further guidance then please contact your child’s teacher via email:
Curriculum Allocation
Art Textiles is taught over three 100 minute lesson per fortnight.
Specification/Exam board – OCR
Course title – Textile Design
Course code – J174
Art Textiles - Overview
Textile Design is defined here as the creation of designs and products for woven, knitted, stitched or printed fabrics and involves an understanding of fibres, yarns and fabrics.
- Learners must explore, acquire and develop skills, knowledge and understanding through the application of techniques and processes specific to their chosen area(s) of study of Textile Design.
- Learners must explore practical and relevant critical and contextual sources such as the work of historical and contemporary textile designers and the different purposes, intentions and functions of textile design as appropriate to their own work.
- Learners must demonstrate the knowledge, skills and understanding through area(s) of study relevant to Textile Design.
Areas of study
Learners are required to work in one or more area(s) of Textile Design, such as those listed below. Combinations of these areas are also possible:
- Constructed textiles
- Digital textiles
- Dyed fabrics
- Printed fabrics
- Fashion design
- Installed textiles
- Soft furnishings
- Stitched and/or embellished textiles
Techniques Learners must demonstrate the ability to work creatively with processes and techniques appropriate to the chosen area(s) of study such as: weaving, surface printing (block, screen or digital), pattern making, pattern cutting, embroidery (machine or hand), knitting, batik, appliqué and collage
Component 1 – Portfolio - (60%)
This is completed from September in year 10 until January in year 11.
Students produce a portfolio of practical work showing their personal response to a set starting point, brief, scenario or stimulus. The portfolio may be presented in appropriate formats for the specification title they are following and chosen area of study, including sketchbooks, digital presentations, mounted sheets, maquettes, prototypes, animated work, scale models or illustrated written work.
The portfolio must provide evidence that the student has met all four assessment objectives.
Component 2 – Externally Set Task (EST) – (40%)
This is from January in year 11 until the 10 hour exam.
Students respond to one of five themes, each with a range of written and visual starting points and stimuli. Students research, plan and develop ideas for their response to the option they have chosen, which they must then realise within the ten-hour supervised time period.
Assessment Objectives
There are four Assessment Objectives in OCR GCSE (9–1) in Art and Design. These are detailed in the table below.
All are equally weighted at 25% each.
AO1 |
Develop ideas through investigations, demonstrating critical understanding of sources. |
AO2 |
Refine work by exploring ideas, selecting and experimenting with appropriate media, materials, techniques and processes. |
AO3 |
Record ideas, observations and insights relevant to intentions as work progresses. |
AO4 |
Present a personal and meaningful response that realises intentions and demonstrates understanding of visual language. |
Curriculum Period 1
Intro to textiles – Under the sea
Lesson 1 |
Welcome and idea generation, initial research. |
Lesson 2 |
Developing research. |
Lesson 3 |
Sketchbook presentation. |
Lesson 4 |
Weaving. |
Lesson 5 |
Finger Knitting. |
Lesson 6 |
Sketchbook presentation and annotation |
Lesson 7 |
Sketchbook presentation and annotation |
Lesson 8 |
Crochet. |
Lesson 9 |
Wet felt making. |
Lesson 10 |
Sketchbook presentation and annotation |
Lesson 11 |
Sketchbook presentation and annotation |
Lesson 12 |
Tie dye techniques. |
Lesson 13 |
Hand embroidery. |
Lesson 14 |
Hand embroidery continued. |
Lesson 15 |
Artist research – Shelia Hicks. |
Lesson 16 |
Artist research – Shelia Hicks – written evaluations |
Lesson 17 |
Introduction to the sewing machine. |
Lesson 18 |
Free machine embroidery. |
Lesson 19 |
Photography and composition planning. |
Lesson 20 |
Free machine embroidery from own photos. |
Lesson 21 |
Block printmaking. |
Lesson 22 |
Block printmaking. |
Lesson 23 |
Block printmaking. |
Lesson 24 |
Developing ideas – design an embroidered felt piece |
Art History/Context – students will be introduced to lots of artists/designers based on their ideas, they will all study Sheila Hicks.
Assessment
Students will engage in an assessment in which they develop a piece of work using felt making and hand embroidery.
Curriculum Period 2
Under the Sea & Identity
Lesson 1 |
Creating textures using acrylic paints. |
Lesson 2 |
Collaging compositions from paint samples. |
Lesson 3 |
Developing paint samples using the sewing machine. |
Lesson 4 |
Developing paint samples using the sewing machine. |
Lesson 5 |
Artist research –Louise O’Hara. |
Lesson 6 |
Artist research –Louise O’Hara. |
Lesson 7 |
Artist research – Laura Edgar. |
Lesson 8 |
Artist research – Laura Edgar. |
Lesson 9 |
Sketchbook presentation. |
Lesson 10 |
Sketchbook presentation. |
Lesson 11 |
Developing ideas. |
Lesson 12 |
Developing ideas and planning. |
Lesson 13 |
Developing ideas and planning. |
Lesson 14 |
Developing ideas and planning. |
Lesson 15 |
Final Piece. |
Lesson 16 |
Final Piece |
Lesson 17 |
Final Piece |
Lesson 18 |
Final Piece |
Lesson 19 |
Final Piece |
Lesson 20 |
Mind Map Identity |
Lesson 21 |
Mind Map Identity |
Art History/Context – students will be introduced to lots of artists/designers based on their ideas, they will all study Laura Edgar and Louise O’Hara and Maurizio Anzeri.
Assessment
Students will complete a 300 minute practical assessment in which they will develop a response to an artist evidencing their understanding of AO1 and AO2.
Curriculum Period 3 - Identity
Lesson 1 |
Maurizio Anzeri Research |
Lesson 2 |
Maurizio Anzeri Written evaluations and presentation |
Lesson 3 |
Rosie Jones - Freehand embroidery into photos using the machine |
Lesson 4 |
Rosie Jones - Freehand embroidery and presentation |
Lesson 5 |
Research an artist of choice. |
Lesson 6 |
Develop artist research by responding practically to the artist’s work. |
Art History/Context – students will be introduced to lots of artists/designers based on their ideas.
Subject advice and guidance
If you need any further guidance then please contact your child’s teacher via email:
Curriculum Allocation
Art Textiles is taught over three 100 minute lesson per fortnight.
Specification/Exam board – OCR
Course title – Textile Design
Course code – J174
Art Textiles - Overview
Textile Design is defined here as the creation of designs and products for woven, knitted, stitched or printed fabrics and involves an understanding of fibres, yarns and fabrics.
- Learners must explore, acquire and develop skills, knowledge and understanding through the application of techniques and processes specific to their chosen area(s) of study of Textile Design.
- Learners must explore practical and relevant critical and contextual sources such as the work of historical and contemporary textile designers and the different purposes, intentions and functions of textile design as appropriate to their own work.
- Learners must demonstrate the knowledge, skills and understanding through area(s) of study relevant to Textile Design.
Areas of study
Learners are required to work in one or more area(s) of Textile Design, such as those listed below. Combinations of these areas are also possible:
- Constructed textiles
- Digital textiles
- Dyed fabrics
- Printed fabrics
- Fashion design
- Installed textiles
- Soft furnishings
- Stitched and/or embellished textiles
Techniques Learners must demonstrate the ability to work creatively with processes and techniques appropriate to the chosen area(s) of study such as: weaving, surface printing (block, screen or digital), pattern making, pattern cutting, embroidery (machine or hand), knitting, batik, appliqué and collage.
Component 1 – Portfolio - (60%)
This is completed from September in year 10 until January in year 11.
Students produce a portfolio of practical work showing their personal response to a set starting point, brief, scenario or stimulus. The portfolio may be presented in appropriate formats for the specification title they are following and chosen area of study, including sketchbooks, digital presentations, mounted sheets, maquettes, prototypes, animated work, scale models or illustrated written work.
The portfolio must provide evidence that the student has met all four assessment objectives.
Component 2 – Externally Set Task (EST) – (40%)
This is from January in year 11 until the 10 hour exam.
Students respond to one of five themes, each with a range of written and visual starting points and stimuli. Students research, plan and develop ideas for their response to the option they have chosen, which they must then realise within the ten-hour supervised time period.
Assessment Objectives
There are four Assessment Objectives in OCR GCSE (9–1) in Art and Design. These are detailed in the table below.
All are equally weighted at 25% each.
AO1 |
Develop ideas through investigations, demonstrating critical understanding of sources. |
AO2 |
Refine work by exploring ideas, selecting and experimenting with appropriate media, materials, techniques and processes. |
AO3 |
Record ideas, observations and insights relevant to intentions as work progresses. |
AO4 |
Present a personal and meaningful response that realises intentions and demonstrates understanding of visual language. |
Curriculum Period 1
Mock Exam
Students will complete their coursework project, this will conclude the portfolio of work which is worth 60% of the final GCSE grade, during this curriculum period students will develop ideas, experiment with media and plan and execute a final outcome all of which is relevant to intentions.
Assessment
Students will complete a 300 minute practical assessment in which they will create a final outcome for the project using their own images and their own choice of media.
Curriculum Period 2
Externally Set Task
Students will be issued with exam papers after Christmas and will spend this curriculum period developing a project based on their chosen theme.
The project will address all 4 of the Assessment Objectives and will consist of the following work:
Initial Ideas |
One A2 or 2xA3 sheets. A wide range of images, own textiles work/copy. Clear annotations, titles, well presented. Refer to help sheet for initial ideas. |
Initial Ideas |
|
Initial Ideas |
|
Initial Ideas |
|
Initial Ideas |
|
Artist Research |
One A2 or 2xA3 sheets. Choose 1 artist to focus on. A wide range of images, own textiles work/copy. Clear annotations, titles, well presented. |
Artist Research |
|
Artist Research |
|
Samples |
One A2 or 2xA3 sheets. Own photographs, edited photographs, textile samples/art work/techniques using own photos, clear annotations and titles. |
Samples |
|
Samples |
Assessment
Students will complete some samples related to their chosen theme and direction in any media which will become part of their project.
Curriculum Period 3
Externally Set Task
Students will continue to develop their EST project. The project will address all 4 of the Assessment Objectives and will consist of the following work:
Samples |
Well presented |
Development |
One A2 or 2xA2 sheets. Ideas for a final piece, media/material experiments, clear annotations, titles, and links to artists. Well presented. |
Development |
|
Development |
|
Final Piece Plan |
One A3 sheet. Composition planned, final piece trial, clear annotations, artist links, time plan. Well presented. |
Assessment
Students will complete a 10 hour controlled test which adheres to JCQ guidelines. Students work independently on a piece of work which they have planned and prepared for over the Externally Set Task period.
Subject advice and guidance
If you need any further guidance then please contact your child’s teacher via email: